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Originality is often as basic as looking <br />at something with a fresh pair of eyes. <br />For example, a metamorphosis is <br />taking place right now in the field of <br />- )rtrait photography. For many years, <br />ofessional portraits were relegated <br />two groups of people-impeccably <br />9,oomed families and individuals <br />who were formally posed by a hand- <br />somely paid professional photo- <br />grapher, and mothers with great <br />fortitude who waited, children in tow, <br />for the discount store photographer <br />to call their number. A common factor <br />in both operations was long waits for <br />the results and old master type <br />backgrounds. <br />Thanks to creative work and new <br />technology, five men from Canada <br />and the U.S. have changed the face <br />of portrait photography forever. <br />The group includes Amin Amlani and <br />Ken Altman, both highly experienced <br />in the one hour photo lab business; <br />Orren Lucht, an American manufac- <br />turer who supplies the majority of <br />equipment used worldwide to do <br />portrait package printing; Dr Henry <br />Oles, author and internationally <br />Using High Gain 7610 and High Contrast <br />7615 Screens, the Scene Machine, <br />developed by Dr. Henry J. Oles, projects <br />a background image behind the subject. <br />The high reflectivity of the 3M screen <br />eliminates artificial, faded, diffused and <br />reflected images. The subject does not <br />wash out or lose definition from shadows. <br />No longer do photographs have to show faded, diffused and reflected images. Subject <br />lights don't wash out low intensity images or cause conspicuous shadows. The high <br />contrast sheeting allows photographers freedom in lighting foreground subjects by <br />moving lights closer to the camera axis without creating background.