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Require only one application process for each piece.Section G states that an artwork <br />representative must go through the application process twice if they have a concept in mind <br />for which site approval is requested. Consider requiring only one application where the <br />piece is conditional to the location to reduce the number of applications and approval <br />processes needed to further streamline the art in public places process. <br /> Consider adding details about how the City is funding public art. All public art policies <br />from other cities that Keen Independent reviewed for this project include details about <br />public art funding. San Marcos could outline its public art funding policies within the Art in <br />Public Places Policy. Below, we provide examples of how other cities have done this. <br /> Alexandria, LA Public Art Policy outlines a public art funding goal of one percent of the <br />annual capital improvement program budget. <br /> Austin, TX Art in Public Places Ordinance mentions that at least two percent of the <br />construction cost of a project shall be for selecting, acquiring and displaying art. <br /> Denton, TX Public Art Policy outlines several means of public art funding sources including <br />partial bond allocations, Hotel Occupancy Tax percent allocations, allocations from the City’s <br />operating budget and tax abatement incentives for developers. <br /> Golden, CO Art in Public Places Handbook outlines an allocation of one percent of the cost <br />of each new construction project that is greater than $50,000 be placed in the City’s Art in <br />Public Places Reserve Account. The City also provides an alternative funding model involving <br />the establishment of a policy where a fixed amount of funds would be deposited in the Art <br />in Public Places Reserve Account. <br /> Tustin, CA Preferred Public Art Policy identifies an annual fund allocation for public art. <br /> <br /> <br />KEEN INDEPENDENT RESEARCH — SAN MARCOS ARTS MASTER PLAN 2022 APPENDIX G,PAGE 3 <br /> <br />