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The Scene Machine- THE MOST RESPECTED PROFESSIONAL FRONT PROJECTION SYSTEM IN AMERICA 3EAMSPLITTER SHROUD (Shroud not shown in photograph.) An important but simple protection for the beamsplitter. The underside is covered with a light absorbing material to eliminate flare, providing maximum color saturation. CAMERA MOU Quick release adapter for Hasselblad, RB and RZ-67. Remove and replace camera without affect- ing alignment position. POWER SUPPL Full voltage regulation. Automatic power bleed. Full, 1/2 and 1/4 power selec- tion. 2.6 second recycle at 'ull power. ?0 p F f3 r? BIEAMSPLITTER `----ZOOM LENS Engineered and optically designed for the Scene Machine providing a 35mm-70mm zoom range. An extended range of 35mm-140mm is available for maximum background image control. RE CONTROL THE SCENE MACHINE, a revolutionary new Front Projection system, boasts of an elegantly simple and flexible design with special photographer-oriented features. The photographer now has full control of the illustrative impact of the photograph in- cluding the quality and composition of the background without any effect on the subject. We call it "TBC" - Total Background Control! Carefully engineered features such as the super zoom lens, magnetic slide holder and built-in vignettes gives all of the freedom a photographer would desire - Selection of camera lenses, dramatic subject lighting, selective focus, vignetting, double exposures, perspective and angle variation, density and filtration balance. Human engineering places all the controls for optimum efficiency. The intensity of the background is independently controlled by changing f-stops of the projection lens. Viewing of the background modeling lamp is proportional to the flash exposure, since the lens f-stop changes the tungsten and flash intensity equally. LAMPHOUSE Computer designed condenser lenses to maximize flash output and provide clean, even coverage of the background area. A double helix flash tube and long life quartz modeling lamp are mount- ed on a plug-in circuit board for easy replacement or service. The Scene Machine- A Superior Product of American Craftsmanship Designed by Dr. Henry J. Oles, internationally recognized authority on Front Projection, the Scene Machine breaks tradi- :ion. It is the most advanced system ever made, offering virtual y every desirable feature - in a compact, but powerful unit. The manufacturing expertise was provided by Brian Lane, president of the Lane Corporation, Tampa, Florida. Lane, a mechanical engineer and professional photographer, is well known in the industry for the design and manufacturing of specialized camera accessories including the Lane Polaroid Back and vignetting systems. The electronic system was designed by Photogenic Machine Co., a world leader in the elec- tronic flash industry. Years of research and development preceded the introduc- tion of the Scene Machine. It became an instant success with all of the versatility and features desired, yet offered at a reasonable price. Units are now in use in studios around the world in- cluding the United States, Canada, Mexico, South America, Australia, England, Japan, China and South Africa. ALIGNMENT A single pivot cyli ` nder, provides a convenient way to q vertical uickly align the and horizontal axis of the camera and project ion lenses.